War landscape

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In his first speech since taking the post in October, Admiral Tony Radakin said "the significance of the worst scenarios in terms of a full invasion of Ukraine would be on a scale not seen in Europe since World War II. Referring to the challenges by China, Russia, Iran and North Korea, Radakin stressed that the security landscape is more complex and dangerous than it has ever been in the past 30 years. He told reporters that the crisis caused by the deployment of 90, Russian troops on the Ukrainian border, nearly eight years after Russia's annexation of Crimea, was "deeply worrying. We will be fighting on the ground. I am sorry to say that, but there will be a lot of dead Russian soldiers, and we hope President Putin does not want that to happen," he said.

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  • The Landscape of Silence
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It took place in the area around Slapton Sands and Torcross in , where today many defences such as the pillbox pictured here can still be found. Alerted by heavy open-radio traffic between the Allies, German E-boats on a reconnaissance mission sighted a convoy of eight landing ship tanks LSTs travelling back from Lyme Bay to Slapton Sands.

More than US soldiers and sailors died during the exercise.AT A GLANCE it's just another beach, or cliff, or headland on the edge of any northern sea: cold and hard, with big horizons, rocks oiled with salt and moisture.

Let that glance linger, though, and you start to see them. That line of rocks exposed at low tide spaced with tell-tale regularity. During the European conflict of World War Two — which ended 75 years ago this weekend — the waters around the British coastline were both its saviour, and its warily-watched curse.

Stealth attacks by sea could come from any direction, and not just across the mile ribbon of the English Channel — which the Nazis never crossed, except by air, to bomb. But as the war progressed, no outcome was certain. Brean Down, Somerset,Re-armed with a coastal artillery battery, it was also used as a test site for rockets and experimental weapons, such as torpedo decoys and the bouncing bomb designed by Barnes Wallis.

Some are almost invisible. Others are singularly unsubtle and oppressive, breaking nature's organic lines with fantastical forms and impossible situations.

Looking at their concrete walls, modern eyes may imagine dystopian barracks, crashed spacecraft or the entrance to some cloak-and-dagger lair. Read: How three unlikely allies won World War Two. When built these buildings were strategically situated. Now, most are approaching 80 years old, and redundant. Overrun by the landscape, they exhibit the signs of an elemental battering, with widening scars and deepening cracks, graffiti tattoos decades old.

The Last Stand is the title of a photo study by British photographer Marc Wilson — whose book of the same name comprises a collection of images and essays focussed on documenting the legacy of the war on the landscape.

This ranges from bullethole-sprayed bunkers of the Atlantikwall on the continental coast, to the British defences the conflict itself never touched. A time [] that itself has become a past as both human and physical elements change these landscapes.That is important to me. Abbot's Cliff, Kent,Coastal batteries were established and earlier ones were re-armed.

Dengie peninsula, Essex,This fortified minefield observation and control tower — a two-storey hexagonal tower, ten metres high, surmounted by a cupola — was built on the edge of an open field adjacent to the sea wall, in order to control the estuary minefield that defended the River Crouch.

Anti-tank blocks ran the full length of this part of the coast, forming a barrier with the pillboxes that were placed between them at regular intervals.

Some of the defences were constructed by a Polish army engineer corps stationed in Scotland. I remember mixing concrete with a shovel. In Britain alone, thousands of these structures were built. The many that remain chillingly recount that their functions ran every stage of an invasion scenario — from troop training and early warning systems, to tactical defences and gun emplacements for ground combat.

Since then, the elements — as well as human encroachments — have waged war, particularly on the coastlines. But however caught between land and sea, or structure and rubble, these almost uniformly unappealing defences retain a power, and a memory of a time when nobody's future was certain. Les Lands, Jersey,Beginning with a test run of images shot on the eroding, sea-battered Norfolk coast in , Wilson began researching and visiting locations to photograph.

These were not just around Britain, but on the facing edges of the European mainland from Norway and Denmark to Belgium and France , down as far south as the Franco-Spanish border. While the bulk of the work is on British soil, Wilson chose not to focus on just side of the conflict; many of the defences he photographed were built by the aggressors.With this fragile thread to living memory dwindling, The Last Stand perhaps takes on added resonance — particularly when considering the environmental attrition of many of the coastlines on which they stand makes their continued existence temporary, at best.

As the living tellers of these stories pass away, these objects, places and their photographic documents become ever more important — to provide that key to the human past of a land. National Geographic National Geographic. By Simon Ingram. Published 6 May , BST.

Photograph by Marc Wilson. A physical legacy of war When built these buildings were strategically situated. Lines in the landscape In Britain alone, thousands of these structures were built. Read Story. Play Video. Was this iconic World War II photo staged? Here's the heroic National Geographic — VE Day atLiving History. Modern History. Cultural Tourism. You might also like. Photographing Britain's fisherwomen — the generations of workers who anchored an industry.

History and Civilisation. Secrets and spies: Behind the doors of the UK's most enigmatic government agency. And I just had to do it. We all did.

MCCC home to historic Potter's Field

Lost Freedom addresses a widespread feeling that we have seen a fundamental change in social life in recent decades: the loss of childhood freedom, and in particular the loss of a freedom to roam beyond the safety of home. Concentrating on the period from the Second World War to the s, it considers the roles of psychological theory, traffic, safety consciousness, anxiety about sexual danger, and television in the erosion of freedom. It argues that the Second World War has an important place in this story, with war-borne anxieties encouraging an emphasis on the central importan It argues that the Second World War has an important place in this story, with war-borne anxieties encouraging an emphasis on the central importance of a landscape of home.

France's Zone Rouge is a lingering reminder of World War I's Battle of Before World War I, the landscape of Verdun was different.

The Year Kabul Fell Again

Home Thematic Issues from calls 13 From the landscape to the table. This article seeks to enhance the debate on collective action to improve the quality of gastronomic offer for tourists and to promote sustainable territorial development. We followed a case study strategy, with the island of Texel in The Netherlands as the observational unit. The methodology observed the ethnographic approach and implemented qualitative research techniques. Our study has four main conclusions : a cultural patterns and the local history path are key to understand territorial transformation and the ability to create new social institutions; b strong local identity and sense of community facilitate the necessary reorganization and transformation of local economic activities ; c quality labels are useful social institution to govern Common Pool Resources CPRs and to embed local food in the tourist offer in a sustainable way; d local food can guide and enhance the tourist experience of visitors when it is part of the cultural landscape. In some cases, it may be the reason for the journey. Tourists look for meaningful experience when they travel, and one way to do it is by eating the place. To fulfil this wish is a difficult challenge for the host, and it can be harder if they want to use their local resource in a sustainable way.

Civil War (2015) #2 (Maleev Landscape Wraparound Variant)

In order to answer these questions and elucidate early Slavic migrations, individuals from several Slavic and German populations were analysed, including Polish pre-war regional populations and an autochthonous Slavic population from Germany. Y chromosomes were assigned to 39 haplogroups and genotyped for 19 STRs.Genetic distances revealed similar degree of differentiation of Slavic-speaking pre-war populations from German populations irrespective of duration and intensity of contacts with German speakers. BATWING analysis of isolated Slavic populations revealed that their divergence was preceded by rapid demographic growth, undermining theory that Slavic expansion was primarily linguistic rather than population spread. Polish pre-war regional populations showed within-group heterogeneity and lower STR variation within R-M17 subclades compared with modern populations, which might have been homogenised by war resettlements.

Should weeds be embraced in built-up urban environments to provide resilient plantings that can thrive in the toughest conditions? Agapanthus orientalis agapanthus once grew happily along this median strip in Melbourne despite extremely hostile growing conditions.

Vietnam War obituaries gallery hi res landscape

It was both an honor and a privilege to serve briefly as a member of the Monroe County Community College library faculty. Burials continued on the land with unmarked graves until the 's. The memorial honors all who fought and died during the Battle of Lake Erie on September 10, and the War ofBrig Niagara. This naval battle helped turn a war toward the founding of a lasting peace that today enables close cooperation between the United States and Canada on environmental and other important challenges facing both nations along our mutual border. Russell Eby talked about having to dig graves at the cemetery.

Killing Ground: The Civil War and the Changing American Landscape

As the war in Ukraine heads into its eighth year, many fear that Moscow may be preparing a large-scale military escalation. Over the past few weeks, American, European, and NATO allies, as well as Ukrainian officials, have warned that Russia has massed significant military forces and equipment near its border with Ukraine.This concentration is a continuation of a buildup that began in the spring ofAccording to recent estimates, Russia has around 50 battalion tactical groups near the border with Ukraine, along with tanks and artillery. With the buildup ongoing, Western concern has reached a much higher pitch than in the spring. The tensions earlier this year culminated in a summit between Russian President Vladimir Putin and U.

Imagery from the Cold War's Corona satellites is helping scientists To map a landscape's history, foresters like Dr. Nita long depended.

Streaming Wars

Why is it that men and boys have been and still are violated in human conflict, be it in conventional war, insurgencies or periods of civil and ethnic strife? Above all, why, throughout history, have victims, perpetrators and society as a whole refused to acknowledge this violation, and why do episodes of male-on-male rape and sexual abuse feature so rarely in accounts of war, be they official histories, eye-witness accounts or popular narratives? Is there more to this elision of memory than simply shame?

The Landscape of Silence

Paul Nash painted deeply romantic and lyrical landscapes subtly re-envisioned through the shards of modernism and the horrors of war. He was a prolific and hugely talented artist, a writer, a photographer, a fine book illustrator and designer of stage scenery, fabrics, and posters, as well as most famously, a painter. Although Nash embraced and encompassed many of the major twentieth century art movements, including Surrealism and abstraction, his intense love for nature and surrounding landscape always remained the primary subject of his work.Indeed, even in his duties as official war artist - during both great wars - while documenting the broken debris of battlefields and feeling traumatized by the destruction that he saw, he still managed to make everything that he depicted appear somehow enchanted; gnarled and broken trees resemble ancient standing stones and sunlight or moonbeams usually peak through.

Robert also discusses how he learned to become an effective leader, and shares some insight so others can avoid learning the hard way.


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Respectable Reefer

It is also easy to idealise a past in which children were more free and risks were much fewer. Such a position is questioned in the media, but often portrayed as ridiculous. It puts great emphasis on the connections between the changing political landscape of the post-war years and the changing meanings of childhood and being a child.

Watch the video: WAR LANDSCAPE in Syria - Shot by a DRONE


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